Engraving
Collection
The following artists are presented as examples, whose works are part of our collection.
The following artists are presented as examples, whose works are part of our collection.
With the invention of printing, around the middle of the 15th century, the ways in which the images of texts could be reproduced were simultaneously sought. The first illustrations were made with woodcuts, i.e. engraving images on a wooden plate and reproducing similar copies on paper. Woodcuts were succeeded by copperplate engraving, whose technique allowed for a more faithful rendering of details, as well as of chiaroscuro, thus creating richer, more painterly results. In the 19th century, a new technique was created, lithography, an accidental discovery of Alois Senefelder, which contributed to an even more faithful representation of the subject.
The oldest Maps and Portolans (nautical charts) come from the successive editions of the famous “Geography”, which was based on the book of Claudius Ptolemy of Alexandria, which was first published in 1477 in Bologna and reprinted 27 times until 1730.
The contribution of the Netherlands to the development of cartography is significant, since from the 16th century until the 18th century the Dutch were the undisputed seafarers. The first Dutch cartographers Gerhard Mercator (1512 – 1594) and Abraham Ortelius (1528 – 1598) worked in the 16th century, laying the foundations of cartographic science, which aimed to transmit important practical knowledge to sailors, soldiers, travelers and scientists.
Otto Magnus von STACKELBERG was a prominent figure in the circle surrounding Lord Byron. He visited Greece between 1800 and 1814 and was involved in archaeological excavations in Aegina and Vassa.
Several of the engravings in the collection come from the first edition of Costumes et usages des peuples de la Grece Moderne, graves d’ après les dessins executes sur les lieux en 1811 par le Baron O. M. De Stackelberg. Several of the engravings in the collection come from the first edition of Costumes et usages des peuples de la Grece Moderne, graves d’ après les dessins executes sur les lieux en 1811 par le Baron O. M. De Stackelberg.
Edward Dodwell (1767 – 1832) was a multifaceted personality, with great education, an archaeologist and a painter. He came from an old and very wealthy Irish family. He was born in 1767 in Dublin, studied literature and archaeology at Trinity College, Cambridge and continued his studies by obtaining a Bachelor of Arts degree.
Owner of a significant fortune, without professional obligations, he devotes himself undividedly to the study of Mediterranean civilizations. Upon completion of his tours, he lives in Italy, Rome and Naples, favored by the Vatican. In 1830, while exploring the mountains of Italy, he contracted a serious illness from which he died in 1832 in Rome. He managed to form a significant collection of ancient objects (Greek, Etruscan, Roman), which was housed in the Dodwell Museum in Rome and later sold to the Munich Glyptotek.
He made three trips to Greece in 1801, 1805 and 1806. On his last two trips he was accompanied by the painter Simone Pomardi, whose drawings adorn his books.
The fruits of his travels are the following books:
Some Bassirilievi della Grecia Descritti e Publicati in Otto Tavole, Rome 1812. (Greek reliefs).
A Classical and Topographical Tour through Greece, London 1819. (Classical and topographical tour of Greece).
Views in Greece from Drawings by Edward Dodwell, London 1819. (Views in Greece).
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